Russian Avante-Garde Design
Abebooks has a gorgeous gallery of Russian Avant Garde book cover illustration from the end of the Czarist era through the 1930s.
Carol
Carol Borden was editor of and a writer for the Toronto International Film Festival’s official Midnight Madness and Vanguard program blogs. She is currently an editor at and evil overlord for The Cultural Gutter, a website dedicated to thoughtful writing about disreputable art. She has written for Mezzanotte, Teleport City, Die Danger Die Die Kill, Popshifter and she has a bunch of short stories published by Fox Spirit Books including: Godzilla detective fiction, femme fatale mermaids, an adventurous translator/poet, and an x-ray tech having a bad day. Read and listen to her other shenanigans at Monstrous Industry. For her particular take on gutter culture, check out, “In the Sewer with the Alligators.”
A Hero Dies 50,000 Deaths!
In chanbara, Japanese sword-fighting movies, actor Seizo Fukumoto is a master of the art of dying. Anthony Kuhn interviews him about his life dying on screen. “In a trademark move, Fukumoto is dealt a fatal blow, then bends over backward, seemingly suspended in midair for a moment of […]
Master of Infinite Kung Fu
I always have trouble writing about comics that I think are good, just excellent and existing in their own seamless perfection, which means that here at the Gutter I don’t always write about the comics that I love most. I want to do credit to them and save […]
“Why, Hello There, Citizen!”
All 14 of the guest star window cameos from the Batman tv series. (via Mike White)
On Wonder Woman and Amazons
Kelly Thompson and Colin Smith offer two related criticisms of Wonder Woman #7. Thompson asks, “Is the Destruction of the Amazons the Destruction of Feminism in DC Comics?” And Smith writes, “Of all of the flak fired up to obscure the mean-spirited, thick-headed sexism of Brian Azzarello’s script […]
3 Reviews of The Hunger Games
In three reviews, Miguel Rodriguez, Peter Gutierrez and Darren Franich consider what was missing from the film’s adaptation of The Hunger Games book–poverty, class and complicity to start.
The Cultural Gutter 