Carol
Carol Borden was editor of and a writer for the Toronto International Film Festival’s official Midnight Madness and Vanguard program blogs. She is currently an editor at and evil overlord for The Cultural Gutter, a website dedicated to thoughtful writing about disreputable art. She has written for Mezzanotte, Teleport City, Die Danger Die Die Kill, Popshifter and she has a bunch of short stories published by Fox Spirit Books including: Godzilla detective fiction, femme fatale mermaids, an adventurous translator/poet, and an x-ray tech having a bad day. Read and listen to her other shenanigans at Monstrous Industry. For her particular take on gutter culture, check out, “In the Sewer with the Alligators.”
I appreciate Lord Death Man’s flair, his élan, panache, the way he daringly wears brown leather gloves, belt and boots with his high-contrast black and white skeleton suit—and makes it work. Of the many skeleton suits in the criminal underworld, I would wear Lord Death Man’s.
As an adult, my strongest impressions of horror have come from comics. My childhood ones are almost exclusively from tv—the trailer for Magic and a misguided viewing of the beginning of Andy Warhol’s Frankenstein. But as an adult, I remember picking up the first issue of Neil Gaiman’s […]
That’s a great hack: adding Dr. Conan T. Barbarian to a faculty listing. His thesis is of course: “To Hear the Lamentations of Their Women: Constructions in Masculinity in Contemporary Zamoran Literature”
We posted some of these before, but here’s an expanded gallery of Lovecraftian Tin-Tin book covers by Murray Groat. (via Forbidden Planet International).
Stephen Thrower writes a retrospective soundtracks and composers for horror movies spanning from Psycho to the present, and ends with a call for more innovation and “a neat draft of madness.” (via @AwesomeBMovies_)
Savage Chickens has been pulling out all the stops in the run-up to Talk Like a Pirate Day… Also, Mundane Spider-Man!