Carol
Carol Borden was editor of and a writer for the Toronto International Film Festival’s official Midnight Madness and Vanguard program blogs. She is currently an editor at and evil overlord for The Cultural Gutter, a website dedicated to thoughtful writing about disreputable art. She has written for Mezzanotte, Teleport City, Die Danger Die Die Kill, Popshifter and she has a bunch of short stories published by Fox Spirit Books including: Godzilla detective fiction, femme fatale mermaids, an adventurous translator/poet, and an x-ray tech having a bad day. Read and listen to her other shenanigans at Monstrous Industry. For her particular take on gutter culture, check out, “In the Sewer with the Alligators.”
David Brothers points out exactly what the problem is with the phrases “Black Spider-Man” and “The Batman of Africa.” “…that it is essentially covert, or maybe just casual, white supremacy.”
Peter Orullian over at Tor.com has a great interview with Kate Elliott: “I mean that when I read epic fantasy, I want to feel a sense of discovery and adventure and anticipation and vista. I want to feel unbalanced, destroyed, and remade.”
A thorough and well-illustrated look at Soviet science fiction, from the 1920s through the 1980s. (via SF Signal)
Science studies whether spoilers spoil. Strangely enough, they might not. Even more strangely, they might make the spoiled story more enjoyable.
Antenna examines the case of Kurt Sutter (Sons of Anarchy) and why he’s deleting the Twitter version of his “brash online persona”.
At the Beat, MK Reed writes about the flaws of Kickstarter, particularly for artists trying to make a start in the comics industry and has some suggestions for what the Womanthology project can do with its extra donations.