Carol Borden was editor of and a writer for the Toronto International Film Festival’s official Midnight Madness and Vanguard program blogs. She is currently an editor at and evil overlord for The Cultural Gutter, a website dedicated to thoughtful writing about disreputable art. She has written for Mezzanotte, Teleport City, Die Danger Die Die Kill, Popshifter and she has a bunch of short stories published by Fox Spirit Books including: Godzilla detective fiction, femme fatale mermaids, an adventurous translator/poet, and an x-ray tech having a bad day. Read and listen to her other shenanigans at Monstrous Industry. For her particular take on gutter culture, check out, “In the Sewer with the Alligators.”
Abigail Nussbaum writes about how television has improved George R. R. Martin’s Game of Thrones. ” I can think of no response that more thoroughly encapsulates how much Game of Thrones improves on Martin’s novel–the same death that left me yawning on the page when I only suspected […]
Womanthology will a massive book showcasing the talent of female comics creators, published by IDW, which means it’s going to be pretty. It’s being funded through Kickstarter and you can still contribute and get some pretty wicked rewards–beyond satisfaction, that is.
Today on “Romance Fiction, Romance Fact,” Linda Holmes takes apart a recent hand-wringing essay in which Susan Quilliam fears for the sexual health of woman who read romance. “Quilliam discusses a bunch of research, some of which indicates that reading romance novels is correlated with happy relationships, and […]
The Encyclopedia of Science Fiction, 3rd Edition will be free online, according to Abigail Nussbaum, who’s been writing tv entries for the encyclopedia.
Responsible newsmen, expert psychiatrists, concerned parents. Learn about the dangers of horror comic books with this complete edition of the 1950s television series, “Confidential File: Horror Comic Books.” (via @PeterGutierrez)
Based on the current comics, and Flashpoint: Hal Jordan, in particular, Colin Smith breaks down DC’s assumptions about what makes an excellent comic and how that will likely effect the comics in DC’s relaunch. “After all, the same folks who piloted Flashpoint and its tie-ins are in charge […]
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The Cultural Gutter 