Carol
Carol Borden was editor of and a writer for the Toronto International Film Festival’s official Midnight Madness and Vanguard program blogs. She is currently an editor at and evil overlord for The Cultural Gutter, a website dedicated to thoughtful writing about disreputable art. She has written for Mezzanotte, Teleport City, Die Danger Die Die Kill, Popshifter and she has a bunch of short stories published by Fox Spirit Books including: Godzilla detective fiction, femme fatale mermaids, an adventurous translator/poet, and an x-ray tech having a bad day. Read and listen to her other shenanigans at Monstrous Industry. For her particular take on gutter culture, check out, “In the Sewer with the Alligators.”
Comics artist Gene Colan has died. He was best known for his work on Marvel’s The Tomb of Dracula, but he started at DC drawing Namor, the Sub-Mariner and worked with Steve Gerber on Howard the Duck. The Guardian has an obituary with more on his life and […]
China Miéville draws a monster. Mark Charan Newton has to write it into his own novel. (via @Pornokitsch)
Twilight and True Blood have an animated Barbie off. (via Cinema Junkie)
Charles Bronson interviewed on the set of St. Ives, with Jacqueline Bisset and John Houseman. (via @DailyGrindhouse)
Flowers of Flesh and Blood looks at the dystopian horror of Gzegorz Jonkajtys’ short films, with the shorts included. “It is a world of late bills, dreadful jobs, broken homes and the isolation of anonymity, but here, when you can’t get the voice recognition software on the end […]
I’ve been watching Dexter, and thinking about Thomas Blake, Catman in Gail Simone’s comic, Secret Six (DC, 2008-2011). With his tousled blond hair and predatory grin, Michael C. Hall would make an excellent candidate for any portrayal of Catman. But there are deeper resonances beyond physical resemblance.