Jonathan Katz writes about the power of activist drag: “[F]rom our current vantage point, the advent of sloganeering clothing seems vastly less of a defining break with the past than in fact it was. Queer fashion once spoke sotto voce to insiders, at once defining membership in a […]
“When the first trailer for Captain Marvel dropped I had a frisson of deja vu. It wasn’t due to the image of the Blockbuster Video logo on the building she crash lands into, I have no love for the chain that slowly destroyed all the genuinely interesting mom […]
“I must be stubborn or blind to the world around me, but I believe that 2019 audiences still enjoy the clandestine arts of megalomania, quippy men in bespoke suits, and wildly inefficient research and design departments. James Bond is the name we know, but there’s also Derek Flint, […]
Friend of the Gutter Jessica Ritchey writes an ode to Mothra at Balder & Dash at RogerEbert.com. “The giant moth’s introduction to audiences came in 1961’s “Mothra,” and for all it owed to the conventions of the Kaiju formula it offered plenty that was unique. Instead of a […]
Lit Hub has a transcript of Kelly Link’s speech at the 2019 One Story Literary Debutante Ball. “When I realized I would have to say something here other than, “Yes, I’d love another drink, thank you!” I tried to figure out what I could say that would be […]
Angelica Jade Bastién writes about Killing Eve as Bluebeard at Vulture. “Killing Eve is deeply indebted to film noir, a genre whose backbone is the ways people lose their soul in the face of desire — from the stories of lone stylish assassins (Le Samouraï) to femme-fatale-led worlds […]
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