April is switcheroo month at the Cultural Gutter, and this year we are once again turning our eyes upwards from our beloved gutter roots to gaze into the distance for a glimpse of art that is widely considered reputable. What I’ve noticed though, as I adjust my binoculars […]
For this year’s Switcheroo Month, I decided to write about a lesser known film by one of the most reputable directors around—Akira Kurosawa’s The Bad Sleep Well (1960). Set in then contemporary mid-Twentieth Century Japan, The Bad Sleep Well is the story of Koichi Nishi (Toshiro Mifune) seeking […]
I told myself I wouldn’t do this. For the second year in a row, I’ve let Switcheroo Month, the time of year when us Gutterfolk write about reputable art instead of disreputable art, sneak up on me without an idea of what piece of reputable art I’d write […]
If you pay any attention at all to popular Hindi cinema, then probably you will have heard of Sholay, often considered the best-loved Hindi movie of all time.* There is huge respect and affection for this film—for its cast, director, music, and script. Sometimes omitted from discussions of […]
Nocebo (Philippines / Ireland, 2022) is a blend of Gothic manor house horror, Southeast Asian witchcraft movies, and horror set in the world of fashion. Instead of focusing on connivances and cruelties within the world of haute couture fashion houses, like, say, Mario Bava’s Blood and Black Lace […]
As is the case for any self-respecting horror fan, the subject of Kyle Edward Ball’s divisive but impossible-to-ignore minimalist sensation, Skinamarink, has been lighting up my group chats. “Did you like it?” “Will I like it?” “What is it?” Friends, I’ll tell you what I tell everyone when […]
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The Cultural Gutter 