Sachin Hingoo kicks off this year’s Switcheroo Month at the Gutter. This year the Gutter’s editors are writing about reputable art rather than disreputable art for a whole month! Heads up: The following contains minor spoilers for A24’s Everything Everywhere All At Once (2022) and Paramount’s Star Trek: […]
Maybe it’s the long grey of winter, or the even greyer length of pandemic winter, but the past few months I’ve found myself falling back on the comfort of old, familiar things. I keep reaching for my faded plaid shirt and softest worn-out jeans, ignoring the food in […]
I was fortunate enough to able to attend the Hong Kong International Film and Television Market (HK Filmart) again this year. Among the panel discussions and analyses of trends–and one inquiry about whether I wanted to purchase rights to a documentary–I was lucky enough to see five movies: […]
Arising from a mishmash of Indiana Jones’s greatest hits, a handful of action films I personally cannot identify, and a particularly mid-2000s stumbling love of hip hop aesthetics, Naksha (“The Map”) (2006) works for me a lot better than it has any right to. Much of the credit […]
This is not a spoiler-free essay. There is a lot of discussion of plot elements. If you like to go into a film blind, you will want to wait to read this piece. ~~~ These are the stories of the robots: They resent us for creating them. They […]
I remember reading a book when I was a kid about a perfect android child who is unexpectedly delivered to a family’s doorstep in a giant metal can. He’s all dried out but comes with a nutrient solution that they use to reconstitute him. He was designed to […]
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