At Gayly Dreadful, Terry Mesnard reviews Amy Seimetz’s She Dies Tomorrow (2020). “She Dies Tomorrow is the sophomore feature from Amy Seimetz and it is a doozy of experimental cinema and existential dread. It defies typical narrative progression, instead flitting from character to character as whatever ennui this […]
At RogerEbert.com, Matt Zoller Seitz writes on Christopher Reeves and Richard Donner’s Superman (1978). “The movie feels like a case of an entire production rising to the level of its lead actor, who happens to be playing the biggest square in the galaxy, a guy who would rather […]
At SyFy Fangrrls, Stephanie Williams writes about Justin Dillard’s Sweetheart (2019). “The horror genre can be a powerful vehicle to tell the struggles of marginalized groups of people. When these stories are created by the very people who know these struggles in their everyday lives, the impact is […]
The Gutter’s own Beth returns to the limited run Tolly Folly Podcast! “Our Uttam-Suchitra miniseries continues with the mega classic Saptapadi and one of my favorites Chaowa Pawa, a wonderful adaptation of It Happened One Night.”
At Horror Home Room, Alishya Almeida writes about class, horror and “the abject” in Bong Joon-ho’s Parasite (2019). “In a cosmos ruled by capitalism, the ways in which wealth and labor interact become a matter of haunting. Bong’s path of storytelling highlights the unequal and unjust experiences that […]
At Criterion, Steven Ryfle writes about director Ishiro Honda and Godzilla. “Ishiro Honda gathered his crew and gave them an ultimatum. He was about to put his career at risk, and he would only work with those who approached his current project—a movie about a radiation-spewing prehistoric reptile […]
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