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The Cultural Gutter

Thoughtful Writing About Disreputable Art

Man’s Inhumanity to Man: Emotional Suppression and the Machinery of Control in “Equilibrium” (USA, 2002)

By michelle8e45d54816 on January 29, 2026 • ( Leave a comment )

A Slippery Slope from Cute to Evil in Cult of the Lamb

By Critterlab on January 22, 2026 • ( 5 Comments )

You Are Sleeping, You Do Not Want to Believe: ‘Dreamscape’ (1984)

By Guttersnipe on January 15, 2026 • ( Leave a comment )

Sachin’s Best of 2025 (and maybe 2026!)

By Sachin Hingoo (he|him|his) on January 8, 2026 • ( 1 Comment )

From The Archives: In György Pálfi’s ‘Hen’, the Real Lady Bird is (in) the Eggs We Laid Along The Way

By Sachin Hingoo (he|him|his) on January 1, 2026 • ( Leave a comment )

An Unusual Merry Christmas from Bombay

By Beth Watkins on December 25, 2025 • ( Leave a comment )

Mockumentary: Making Fake Feel Real Since the 1930s

By Critterlab on August 10, 2023 • ( Leave a comment )

Wait, was that real? It’s a question I ask myself more and more often as I whirl around in the blender of art, tech, media, propaganda, and sales pitch that beams into my eye and ear holes from all the electronic devices I own. The lines between news […]

Filmi Ladies: “Barbie! and Zoolander???”

By Guttersnipe on August 9, 2023 • ( Leave a comment )

The Gutter’s own Beth Watkins and Pitu Sultan discuss Barbie (USA, 2023) and Zoolander (USA, 2001) on the Filmi Ladies Podcast! “What do Barbie, Zoolander, Pinocchio and The Velveteen Rabbit have in common? They’re all about non-living things (except for Zoolander who’s living but kinda a caricature) that […]

Bitches On Comics: “Queer People are Magic”

By Guttersnipe on August 8, 2023 • ( Leave a comment )

At Bitches On Comics podcast: “We talk to Joey Capuana about their witchy queer and trans comic Trance. He discusses balancing queer coding and explicit queerness, representing sex and sexuality on the page, the importance of queer nightclubs, and fighting against transphobia and homophobia. We are stronger together […]

The Projection Booth: True Stories (USA, 1986)

By Guttersnipe on August 7, 2023 • ( Leave a comment )

Our friends at the Projection Booth podcast watch David Byrne’s 1986 film, True Stories! “Directed by and starring David Byrne, True Stories (1986) tells the story of Virgil, Texas which is having its sesquicentennial anniversary and having a big talent show. We’re introduced to the unusual residents of […]

Chibi Godzilla Raids Again!

By Guttersnipe on August 4, 2023 • ( Leave a comment )

Watch the entire animated series, Chibi Godzilla Raids Again, here. (Thanks, Ed!)

Hundreds of Beavers: Interview with Fight Choreographer & Beaver Stunt Man Jon Truei

By Carol on August 3, 2023 • ( 8 Comments )

Hundreds of Beavers (USA, 2023) had me from the trailer. I knew I loved it from the moment when I saw a pair of rabbits—played by actors dressed in rabbit mascot suits—turn and look back at the camera. This was cinema, pure cinema. And the trailer didn’t lead […]

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The Cultural Gutter is a website dedicated to thoughtful writing about disreputable art. The site is updated every Thursday afternoon. Carol Borden, Sachin Hingoo, Alex MacFadyen, Beth Watkins, and Michelle Kisner probe science fiction, draw out the best in comics, stare deeply into the screen, sink their fangs into horror, dally with romance, speedrun their brains on videogames and explore so much more. Our Guest Stars shine here. Thanks to Gutter aesthetic director Brian Kirby for all his swank art. Thanks to EJ Lee for providing the fantastic art we used in the Cultural Gutter book. The Cultural Gutter's signature nail polishes, "Disreputable," and, "Disreputable 2: Hellcat," were created by Andrea Evans of MPZ Cosmetics. MPZ Cosmetics also teamed up with Dill McKinley to recreate the classic fragrance, Cornichon by Dill McKinley for Gutterthon 2021. Follow us on Bluesky, Facebook, and Mastodon as @culturalgutter. We do not accept unsolicited pitches.

No part of this text or any text on the Cultural Gutter site may be used to train artificial intelligence systems without the written permission of the author and The Cultural Gutter.

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