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Angela Englert

Writes at culturalgutter.com, blogs at screamsharing.com

From the Archives: Reality Isn’t What It Used To Be

In the Mouth of Madness (1994) is the final film in what director John Carpenter calls his Apocalypse Trilogy, also including 1982’s The Thing and 1987’s Prince of Darkness, although the films aren’t joined by any conventional narrative or continuity. In casual use, apocalypse has come to mean nuclear annihilation or the end of civilization, but it literally means unveiling, and that’s what really unifies the trilogy: the revelation of an inhuman universe.

This Game Kills Fascists

Spoilers for all Dragon Age, y’all. I have always believed the world would be a kinder place if more people played Dragon Age games. It’s true that BioWare’s high fantasy series hews to a formula common to all their RPGs—thoughtful writing, beautifully-acted companions representing competing ideologies, and above […]

Ode to Joy

As long time Cultural Gutter readers will know, I love horror. Love it, live by it, curl up next to it to fall asleep. I still avoided Damien Leone’s Terrifier series for a long time. I avoided it for the same reason many people avoid horror altogether: ew. […]

Songs of a Lifetime

When my dad died earlier this year, we hadn’t spoken in months. We weren’t speaking because I wasn’t speaking to him, which was less a deliberate choice than a series of panicked, spur-of-the-moment reactions. After decades of arguments and sour distance between us, in the last months of […]

William Shatner: Horror Icon

One day, William Shatner will die, and every obituary will be for Captain Kirk. A paragraph or so down, they will mention his Emmys for Boston Legal, his numerous comebacks, T.J. Hooker and Rescue 911, and then go on to celebrate his diverse creative portfolio, his sprechgesang, his […]