Writes at culturalgutter.com, blogs at screamsharing.com
This month, we celebrate twenty years at the Gutter–fierce, gleeful, proud years during when we have dwelt richly on works that fall under the admittedly subjective rubric of disreputable media. I was a fan a long time before I was a contributor. But why was I a fan […]
April, again, and gazing up from the Gutter, my colleagues and I must now tear our eyes from the stars and turn them instead to the vaunted facades of ivory towers. Or to put it another way: time to get reputable up in this biz. His canon is […]
1972’s Night of the Lepus is one of the last stalwarts of a grand storytelling tradition, all too rare in our decadent, expertise-skeptical times–a tradition that dares to preface the feature with a dry, informative lecture. No time to thread exposition into character-revealing events and dialogue; we begin […]
A beautiful woman, wearing scarlet from her lips to her toes, drives alone through the city. She’s relaxed, but distracted, as though she’s looking for something, frequently taking her eyes off the road to notice people gathering on balconies overlooking the street–people wearing dark glasses. Languidly, the camera […]
Today, Shimako Sato is probably best known as the writer-director behind several entries in the Unfair series, a Japanese action franchise in the mold of Die Hard, but in 1992, she was a new filmmaker, recently graduated from London Film School, and, like any true artist, inspired by […]
2022 was an amazing year for films, especially for horror–a year full of past masters, spiritual successors, and strange new worlds. While I stuffed myself near to the point of Sam Neill Event Horizon eyes, I wasn’t able to share most of the ridiculous plenty here at the […]
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The Cultural Gutter 