Happy Death Day (2017) and Happy Death Day 2U (2019) together tell the story of bitchy sorority sister Theresa “Tree” Gelbman (Jessica Rothe), a slasher film trope with a difference. Shallow, flighty, and rude, Tree courts exactly the kind of cosmic justice that usually comes at the end […]
I was selected to be the Fool in a ritual sacrifice by a secret government cabal that is part of an international effort to satisfy the requirements of ancient gods in exchange for not rising and destroying the world. After escaping death, I reconnected with the Virgin, when […]
Horror Editor Angela closes out our annual Switcheroo Month with some thoughts on Barbie: Life in the Dreamhouse. ~~~ As regular readers may remember from my near-constant referencing of it, I am a mother. That’s right; I’m responsible for the care and feeding of a 4-year-old girl child. […]
Get two sentences into any retrospective of Star Trek, and you’ll run smack into a glowing pronouncement of difference between Gene Roddenberry’s vision and spaceship jockey opuses that preceded it: the optimism. Star Trek promised a future where there was no war, at least among humans, no racism, […]
In his first two films, Hereditary (2018) and Midsommar (2019), insidious cults with insidious plots are to Ari Aster as disease is to David Cronenberg and differently horny monsters are to Clive Barker: a mechanic to pry under conventional assumptions and morality to prepare the way for something […]
Spoilers! Not just for the BBC’s Dracula, but also any Dracula, and the BBC’s Doctor Who, going all the way back to the Steven Moffat-penned 2008 episode “Silence in the Library,” and weirdly enough, Dune Messiah. If I can say one wholly positive thing about the BBC-Netflix Dracula […]