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The Cultural Gutter

Thoughtful Writing About Disreputable Art

You Are Sleeping, You Do Not Want to Believe: ‘Dreamscape’ (1984)

By Guttersnipe on January 15, 2026 • ( Leave a comment )

Sachin’s Best of 2025 (and maybe 2026!)

By Sachin Hingoo (he|him|his) on January 8, 2026 • ( 1 Comment )

From The Archives: In György Pálfi’s ‘Hen’, the Real Lady Bird is (in) the Eggs We Laid Along The Way

By Sachin Hingoo (he|him|his) on January 1, 2026 • ( Leave a comment )

An Unusual Merry Christmas from Bombay

By Beth Watkins on December 25, 2025 • ( Leave a comment )

10 Things I liked in 2025

By Carol on December 18, 2025 • ( 2 Comments )

Reflections of a Reflection in Hélène Cattet and Bruno Forzani’s ‘Reflection in a Dead Diamond’

By Sachin Hingoo (he|him|his) on December 11, 2025 • ( Leave a comment )

Building the Glass Onion

By Guttersnipe on December 7, 2022 • ( Leave a comment )

Want to know how Rick Heinrichs created the Glass Onion in Glass Onion: A Knives Out Mystery (2022)? Read all about it here!

“Jonathan R. Eller on Ray Bradbury’s journey from the pulps to the slicks”

By Guttersnipe on December 5, 2022 • ( Leave a comment )

At the Library of America blog, “[Jonath R. Eller] answered our questions about the enduring critical and popular success of Ray Bradbury’s short fiction and how his short stories gradually moved from such pulp magazines as Weird Tales and Planet Stories to “slick” magazines like Harper’s and The […]

Tilda Swinton and Joanna Hogg on The Eternal Daughter (2022)

By Guttersnipe on December 4, 2022 • ( Leave a comment )

Marya E. Gates interviews Tilda Swinton and Joanna Hogg. “Filmmaker Joanna Hogg mesmerized critics and audiences alike with her duo of semi-autobiographical films 2019’s The Souvenir and 2021’s The Souvenir Part II. In filming these raw coming-of-auteur dramas, Hogg reunited with Tilda Swinton, her childhood friend and the […]

The Exorcist in Comic Form

By Guttersnipe on December 3, 2022 • ( Leave a comment )

Did you know that mangaka Kazuo Umezu created a feature to promote the release of William Friedkin’s The Exorcist (1972) in Japan? He did–and you can see it here! (Thanks, Sayantan!) You can also read a piece on Kazuo Umezu by the Gutter’s own Carol here.

Dobaaraa (2022): Three Timelines and One Electrical Storm

By Beth Watkins on December 1, 2022 • ( Leave a comment )

Dobaaraa, a Hindi-language film released earlier this year, stands in intriguing contrast to mainstream Indian cinema’s habits, not just in how this compelling remake handles it source material but also just more generally as a contemporary project. It is one of only a handful of Indian adaptations of […]

The Good, The Bad, and The Ugly and the Ecstasy of The Charismatic Voice’s Vocal Analysis

By Guttersnipe on November 30, 2022 • ( Leave a comment )

The Charismatic Voice’s Elizabeth Zharoff listens to the Danish National Orchestra’s performance of The Good, The Bad, and The Ugly‘s main theme and “The Ecstasy of Gold.” You can watch and listen here. And watch and listen to the uninterrupted performance here.

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The Cultural Gutter is a website dedicated to thoughtful writing about disreputable art. The site is updated every Thursday afternoon. Carol Borden, Sachin Hingoo, Alex MacFadyen, and Beth Watkins probe science fiction, draw out the best in comics, stare deeply into the screen, sink their fangs into horror, dally with romance, speedrun their brains on videogames and explore so much more. Our Guest Stars shine here. Thanks to Gutter aesthetic director Brian Kirby for all his swank art. Thanks to EJ Lee for providing the fantastic art we used in the Cultural Gutter book. The Cultural Gutter's signature nail polishes, "Disreputable," and, "Disreputable 2: Hellcat," were created by Andrea Evans of MPZ Cosmetics. MPZ Cosmetics also teamed up with Dill McKinley to recreate the classic fragrance, Cornichon by Dill McKinley for Gutterthon 2021. Follow us on Bluesky, Facebook, Mastodon, and Bluesky as @culturalgutter. We do not accept unsolicited pitches.

No part of this text or any text on the Cultural Gutter site may be used to train artificial intelligence systems without the written permission of the author and The Cultural Gutter.

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