The works of Agatha Christie, like many other best-sellers in the English language, have been successfully translated into mainstream Indian cinema.* Gumnaam (1965) moves the stage version of And Then There Were None on a jungle- and ruin-covered island somewhere off the coast of India (and if you’ve […]
Friend of the Gutter Sara Century has some things to say about Ghost Rider, horror and Marvel’s Rise of the Midnight Sons at Comic Book Herald! “With an influx of scary villains, extreme action sequences, and earnest looks into a reluctant hero’s tortured inner world, the early days […]
At Film Comment, Shonni Enelow writes about a new style of acting in American film. “But something else is brewing. [Jennifer] Lawrence’s characters in Winter’s Bone and The Hunger Games don’t arrive at emotional release or revelation; rather than fight to express themselves, her characters fight not to. […]
At Uproxx, Mike Ryan writes about contemporary movies and their multiple or stretched out endings. “I reached out to a few prominent screenwriters/filmmakers to ask them if I was off base. These are people you have most likely heard of who have made movies you have most likely […]
I heard industrial pa-chunking before I even entered the Henry Ford Museum of American Innovation. Across the street from the museum is the Ford Development Center, where Ford Motor Company does research on new vehicles and “mobility solutions.” The center first opened in 1953 and was designed by […]
At Chicago Magazine, Jake Malooley writes about the origins of Candyman (1992) in a piece about a murder in Chicago’s Grace Abbott Homes. “To get at the real horror behind Candyman, I knew I had to talk to Steve Bogira. Now 66, the veteran journalist covered race and […]