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The Cultural Gutter

Thoughtful Writing About Disreputable Art

An Unusual Merry Christmas from Bombay

By Beth Watkins on December 25, 2025 • ( Leave a comment )

10 Things I liked in 2025

By Carol on December 18, 2025 • ( 1 Comment )

Reflections of a Reflection in Hélène Cattet and Bruno Forzani’s ‘Reflection in a Dead Diamond’

By Sachin Hingoo (he|him|his) on December 11, 2025 • ( Leave a comment )

Gutterthon 2025: Grand Slam!

By Guttersnipe on December 8, 2025 • ( Leave a comment )

Disavowing the Story: On Kimi wa Koibito (You Are My Lover): Part Two

By Guttersnipe on December 4, 2025 • ( 1 Comment )

Hat on a Hat on a Dinosaur: Jurassic Overkill and Instant Aliens

By Critterlab on November 27, 2025 • ( 5 Comments )

“Play Nimmi For Me: Aag and Mera Naam Joker with Beth Loves Bollywood”

By Guttersnipe on September 26, 2018 • ( Leave a comment )

The Gutter’s own Beth appears on Bollywood Is For Lovers to discuss Aag and Mera Naam Joker. She offers this preview: “1) one of these is a compelling artistic statement, 2) one is a solipsistic creepy slog, and 3) Dharmendra is a good candidate to wear a leotard.”

“A Brief History of Guitar Distortion”

By Guttersnipe on September 25, 2018 • ( Leave a comment )

Open Culture offers a “Brief History of Guitar Distortion.” “The sound of rock and roll is the sound of a distorted guitar, but the history of that sound predates the genre by a few years. It started out with blues and Western swing guitarists, searching “for a dirtier […]

“We can do better. We must do better”

By Guttersnipe on September 24, 2018 • ( Leave a comment )

At the Virtues of Captain America, friend of the Gutter Mark. D. White looks at Avengers #32-3 (Sept. / Oct. 1966). “These two issues are not heavy on ethical content related to Captain America specifically, but it is a particularly timely story… unfortunately. It deals with a white […]

“I am still alive, I am still curious. I am not a piece of rotting flesh.”

By Guttersnipe on September 23, 2018 • ( Leave a comment )

The Guardian profiles filmmaker Agnès Varda. Nowadays, Varda is spending less time researching new ways of making cinema. Not because she hasn’t got the energy but because she believes she can do more groundbreaking work with art installations. In the end, she says, all art is about communication. […]

“Endzeit”

By Guttersnipe on September 22, 2018 • ( Leave a comment )

“Two girls. One Train. A world full of zombies.” Check out the prettiness and the sadness of Olivia Vieweg here. (Thanks, Sachin!)

Midnight Madness 2018 Toronto International Film Festival Complete Play List!

By Guttersnipe on September 21, 2018 • ( Leave a comment )

Watch all the interviews and Q&A’s from this year’s Midnight Madness program at TIFF. Friend of the Gutter interviews Jamie Lee Curtis, Suki Waterhouse, Vasan Bala, Peter Strickland, Keegan-Michael Key, Monica Bellucci and more! Plus, a marching band and is that Michael Myers in the historic Elgin Theatre?!

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The Cultural Gutter is a website dedicated to thoughtful writing about disreputable art. The site is updated every Thursday afternoon. Carol Borden, Angela Englert, Sachin Hingoo, Alex MacFadyen, and Beth Watkins probe science fiction, draw out the best in comics, stare deeply into the screen, sink their fangs into horror, dally with romance, speedrun their brains on videogames and explore so much more. Our Guest Stars shine here. Thanks to Gutter aesthetic director Brian Kirby for all his swank art. Thanks to EJ Lee for providing the fantastic art we used in the Cultural Gutter book. The Cultural Gutter's signature nail polishes, "Disreputable," and, "Disreputable 2: Hellcat," were created by Andrea Evans of MPZ Cosmetics. MPZ Cosmetics also teamed up with Dill McKinley to recreate the classic fragrance, Cornichon by Dill McKinley for Gutterthon 2021. Follow us on Bluesky, Facebook, Mastodon, and Bluesky as @culturalgutter. We do not accept unsolicited pitches.

No part of this text or any text on the Cultural Gutter site may be used to train artificial intelligence systems without the written permission of the author and The Cultural Gutter.

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