For a while now I’ve been thinking about comic artists and writers of the 1930s, 1940s and 1950s. They were people directly affected by the wars and violence of their time. Some went on to create truly amazing and grisly horror and crime comics, in part reflecting on […]
Atlas Obscura looks at the world of the paintings made for display in hotel rooms and interview artist John Cerasulo. “’Dogs are huge, dogs wearing clothes always,’ Cerasulo says. Armed with the knowledge that people want to buy paintings of pups in sweaters, Cerasulo recently painted the ‘handsome […]
Lucy Bellwood writes about what happened after her illustration of nautical tattoos, “The Art of the Sailor” went viral. “A bit of an experiment this week. You’re probably all familiar with the image in this post, and some of you maybe saw that it got a lot of […]
There’s a place in New York’s East Village called the Russian & Turkish Baths. It’s a neighborhood institution that has been in operation for some 125 years, give or take. I’m not a regular, but every now and then a writer needs to shvitz, especially during the winter months. […]
At Multiglom, Anne Billson share excellent dressing-gown acting. “Dressing-gowns are more versatile than you might think. They can signify both soigné upper-class superiority and unkempt low-life sleaze – sometimes both at once. They can be effete, artistic or slatternly – sometimes all at once. In films, the writer or […]
The Gutter’s own Carol talks about The Lure (2015), Karel Kachyňa’s The Little Mermaid/ Malá Morská Víla (1976) and Friedrich de la Motte Fouqué’s Ondine with Mike White and David Rodgers on The Projection Booth podcast. “Released in the United States as The Lure , Agnieszka Smoczynska’s 2015 […]
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The Cultural Gutter 