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The Cultural Gutter

Thoughtful Writing About Disreputable Art

The Hang(ed) Man

By Sachin Hingoo (he|him|his) on February 5, 2026 • ( 1 Comment )

Man’s Inhumanity to Man: Emotional Suppression and the Machinery of Control in “Equilibrium” (USA, 2002)

By michelle8e45d54816 on January 29, 2026 • ( Leave a comment )

A Slippery Slope from Cute to Evil in Cult of the Lamb

By Critterlab on January 22, 2026 • ( 5 Comments )

You Are Sleeping, You Do Not Want to Believe: ‘Dreamscape’ (1984)

By Guttersnipe on January 15, 2026 • ( Leave a comment )

Sachin’s Best of 2025 (and maybe 2026!)

By Sachin Hingoo (he|him|his) on January 8, 2026 • ( 1 Comment )

From The Archives: In György Pálfi’s ‘Hen’, the Real Lady Bird is (in) the Eggs We Laid Along The Way

By Sachin Hingoo (he|him|his) on January 1, 2026 • ( Leave a comment )

“It’s a Mad, Mad, Mad Max: Fury Road!”

By Guttersnipe on April 25, 2017 • ( Leave a comment )

Enjoy the trailer for It’s A Mad, Mad, Mad Max: Fury Road!”

The Dark Delights and Sharp Suits of Vampire Prosecutor

By Carol on April 20, 2017 • ( Leave a comment )

April is our annual Switcheroo Month, so Comics Editor Carol is leaving comics behind and writing about the South Korean television drama, Vampire Prosecutor. “Vampire Prosecutor? Is the vampire a prosecutor or do they prosecute vampires? Or both?” you ask. “Yes,” I answer. “Does Vampire Prosecutor take a […]

“We can’t see Star Trek for our very idea of it.”

By Guttersnipe on April 16, 2017 • ( Leave a comment )

At Strange Horizons, Erin Horáková writes about popular culture, popular memory, popular forgetting, popular reworking, “receptive drag,” and “Kirk Drift”: “Why can’t we see what’s in front of us? Why can’t we read? Why do we remember green women, molested, when there weren’t any, and the wrong ‘three […]

The Projection Booth watches They Live

By Guttersnipe on April 14, 2017 • ( Leave a comment )

“On this special episode of The Projection Booth, we’re giving you a choice: either put on the podcast, or start eating a trash can. Yes, we’re talking about John Carpenter’s They Live (1988) wherein a man with no name — or a name that means nothing — Nada […]

Not Grieving, Gestating: Baby Blood and Untethered Women

By Guttersnipe on April 13, 2017 • ( 4 Comments )

This week’s Guest Star is Nick Hanover. He’ll be covering for SF/F Editor Keith Allison, who took one last big job despite our pleas. Keith will be back next month. ~~~ “I’m not grieving. I’m gestating.” – Prevenge Patriarchal western society has long had a hypocritical view of […]

“You’re the first man I’ve ever seen”

By Guttersnipe on April 12, 2017 • ( 1 Comment )

At Film School Rejects, Catherine Stratton’s video essay “Fandor presents: Lady Lands” discusses films like Catwomen of the Moon, Fire Maidens of Outer Space and The Queen of Outer Space, in which there are planets of space ladies who seem in charge but are really waiting for earth […]

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The Cultural Gutter is a website dedicated to thoughtful writing about disreputable art. The site is updated every Thursday afternoon. Carol Borden, Sachin Hingoo, Alex MacFadyen, Beth Watkins, and Michelle Kisner probe science fiction, draw out the best in comics, stare deeply into the screen, sink their fangs into horror, dally with romance, speedrun their brains on videogames, grapple with wrestling, and explore so much more. Our Guest Stars shine here. Thanks to Gutter aesthetic director Brian Kirby for all his swank art. Thanks to EJ Lee for providing the fantastic art we used in the Cultural Gutter book. The Cultural Gutter's signature nail polishes, "Disreputable," and, "Disreputable 2: Hellcat," were created by Andrea Evans of MPZ Cosmetics. MPZ Cosmetics also teamed up with Dill McKinley to recreate the classic fragrance, Cornichon by Dill McKinley for Gutterthon 2021. Follow us on Bluesky, Facebook, and Mastodon. We do not accept unsolicited pitches.

No part of this text or any text on the Cultural Gutter site may be used to train artificial intelligence systems without the written permission of the author and The Cultural Gutter.

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