I would pretty much always prefer to watch shows where nothing bad happens to the folks who are minding their own business. I get enough reality in the world without having random terrible things happen in my entertainment to bring home to me how easy it is for […]
At the Criterion’s Current, Barry Jenkins talks about Wong Kar-Wai. “For the inaugural video in our new series Under the Influence, Barry Jenkins—whose sophomore feature, Moonlight, won big at last night’s Gotham Awards and just garnered best director and best supporting actress from the National Board of Review—stopped […]
That darkness is a part of me. Living in a world without streetlights allows you to understand the true meaning of utter darkness. White indicates a lack of matter, while black shows an abundance. It makes you think that something is lurking just beyond, hidden in the blackness. […]
Things got a little heavy last round, so I thought this week we’d decompress, relax a little, and talk about Andy Lau’s all leather three-piece suit. Also, I know celebrating this particular movie is hardly a fitting tribute to Lau, but we still all wish him a speedy […]
Karyn Kusama’s The Invitation (2015) is the kind of film that almost resists genre as its genre; that is to say, its mutability makes for part of its substance. As an impressively sustained exercise in ambiguous dread, it tries on the skins of awards-season drama, psychological thriller, a […]
At Americana, Katrina Powers writes about the paintings in Alfred Hitchcock’s Psycho (1960). “In the original 1960 trailer for Psycho, Alfred Hitchcock notifies us that the parlor of the Bates Motel was Norman Bates’ (Anthony Perkins) “favorite spot,” then suggests that we visit the parlor with him. Once […]
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The Cultural Gutter 