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The Cultural Gutter

Thoughtful Writing About Disreputable Art

The Hang(ed) Man

By Sachin Hingoo (he|him|his) on February 5, 2026 • ( 1 Comment )

Man’s Inhumanity to Man: Emotional Suppression and the Machinery of Control in “Equilibrium” (USA, 2002)

By michelle8e45d54816 on January 29, 2026 • ( Leave a comment )

A Slippery Slope from Cute to Evil in Cult of the Lamb

By Critterlab on January 22, 2026 • ( 5 Comments )

You Are Sleeping, You Do Not Want to Believe: ‘Dreamscape’ (1984)

By Guttersnipe on January 15, 2026 • ( Leave a comment )

Sachin’s Best of 2025 (and maybe 2026!)

By Sachin Hingoo (he|him|his) on January 8, 2026 • ( 1 Comment )

From The Archives: In György Pálfi’s ‘Hen’, the Real Lady Bird is (in) the Eggs We Laid Along The Way

By Sachin Hingoo (he|him|his) on January 1, 2026 • ( Leave a comment )

Dread Takes Many Forms: Reading the Entrails of The Witch.

By Angela Englert on March 10, 2016 • ( 2 Comments )

What follows is a discussion of the film The Witch, the award-winning 2015 feature from writer-director Robert Eggers. I will be swooping through the story, and then rooting in its unbaptized innards, with consequent spoilage. If you want to watch the movie first, and it’s a good ‘un, […]

“Lily Renée, Escape Artist”

By Guttersnipe on March 8, 2016 • ( Leave a comment )

Trina Robbins shares free downloads of her book, Lily Renée, Escape Artist, at her website. Robbins writes about Renée, a comics creator who had fled Vienna in 1938. Renee worked on comics like Werewolf Hunter and Señorita Rio.

The British Raj, Quantum Physics, and Some Super Cool Snake Rings: Roland Joffé’s The Lovers

By Beth Watkins on March 3, 2016 • ( Leave a comment )

In the “making of” feature on the DVD of The Lovers, director Roland Joffé (The Killing Fields, Fat Man and Little Boy, City of Joy) describes his film as an exploration of the concept of time split across two eras, represented by “quantum physics” in the near future […]

Astron 6’s “Divorced Dad”

By Guttersnipe on March 1, 2016 • ( Leave a comment )

Enjoy the teaser for Astron 6, Rachel Talalay and Guy Maddin’s webseries, Divorced Dad!

“Fool’s Journey: The Fascinating Live of Patricia Colman Smith”

By Guttersnipe on February 29, 2016 • ( Leave a comment )

At Autostraddle, Beth Maiden writes about the life of Patricia Colman Smith, illustrator of the Rider-Waite-Smith Tarot deck and an innovator in Tarot card design. “Colman Smith studied to be an artist at the experimental, avant-garde Pratt Institute in Brooklyn but didn’t graduate — nonetheless she became an […]

“A Brief Analysis of the Alphahole Trope in Romantic Fiction”

By Guttersnipe on February 26, 2016 • ( Leave a comment )

Ilona Andrews offers “A Brief Analysis of the Alphahole Trope in Romantic Fiction” and it includes, “charts and witty graphics.” “Character stereotypes are the staple of any fiction: the bitter disillusioned detective, the young rebel rallying against a repressive regime, the desperate mother trying to save her children, […]

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The Cultural Gutter is a website dedicated to thoughtful writing about disreputable art. The site is updated every Thursday afternoon. Carol Borden, Sachin Hingoo, Alex MacFadyen, Beth Watkins, and Michelle Kisner probe science fiction, draw out the best in comics, stare deeply into the screen, sink their fangs into horror, dally with romance, speedrun their brains on videogames, grapple with wrestling, and explore so much more. Our Guest Stars shine here. Thanks to Gutter aesthetic director Brian Kirby for all his swank art. Thanks to EJ Lee for providing the fantastic art we used in the Cultural Gutter book. The Cultural Gutter's signature nail polishes, "Disreputable," and, "Disreputable 2: Hellcat," were created by Andrea Evans of MPZ Cosmetics. MPZ Cosmetics also teamed up with Dill McKinley to recreate the classic fragrance, Cornichon by Dill McKinley for Gutterthon 2021. Follow us on Bluesky, Facebook, and Mastodon. We do not accept unsolicited pitches.

No part of this text or any text on the Cultural Gutter site may be used to train artificial intelligence systems without the written permission of the author and The Cultural Gutter.

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