This selection of photographs by Fan Ho shows the streets of Hong Kong in the 1950s and 1960s. “Dubbed the ‘Cartier-Bresson of the East’ Fan Ho had the patience to wait for ‘the decisive moment’; very often a collision of the unexpected, framed against a very clever composed […]
Friend of the Gutter Kate Laity considers Patricia Highsmith’s Tom Ripley and his career on film at Punk Noir magazine. “Tom Ripley was by all accounts her favourite character, one she identified with to the extent that she signed a letter to a friend ‘Pat H, alias Ripley’ […]
At Diabolique, Heather Drain writes about the Devil in American music. “Rock & Roll might still be the bogeyman to repressed, misguided fundamentalist types, but it wasn’t the first modern musical genre to get labeled “the devil’s music.” During the 1920s, Jazz was branded with that very same […]
Please enjoy this gallery of Japanese monster posters. (Thanks, Colin!)
The Gutter’s own Keith has a mai tai at Honolulu’s La Mariana Sailing Club. “At first you might think you’ve taken a wrong turn. Somewhere between the H1 and Nimitz Highway, you must have missed something, because here you are, closer to the airport than the beach at […]
David Bordwell writes about Shaw Brothers Studios particular use of the widescreen format in film. “The Shawscope blazon opens onto a world of one-armed swordfighters, beautiful woman warriors, and kung-fu masters with very long white eyebrows. Without denying the peculiar pleasures of these sagas, we can peer behind […]