At Crime Reads, Emily Arsenault writes about poltergeist experiences, Tina Resch and Marcia Goodin. “For any poltergeist case, the first question is always: What was the actual cause? Ghost or supernatural force? An adolescent’s emotional turbulence? A fake? As I spent more time with these cases, however, I […]
At Bond Vivant, Cultural Gutter Editor Emeritus Keith Allison writes about “the sound of spying” and James Bond cash-in albums. “When the Bond films proved runaway successes in the 1960s, hundreds of movies were made in dozens of countries, all looking to cash in on the same basic […]
At Vulture, Bilge Ebiri shares some of the best car movies ever made. “This list of movies is quite eclectic—it includes gearhead classics, cult standbys, noirs, modern blockbusters, art-house favorites, and even some genuine obscurities. Along the way, it became clear to us that a “car movie,” more […]
‘Imagine tales so bone-chillingly cold you’ll beg for a warm bed to hide under!’ or so promises the cover copy of Chillers (1990). The front cover amplifies host Anthony Perkins’ role, suggesting a link to the better-known episodic horror series around that time like Tales from the Crypt, […]
At Texas Monthly, Paula Meija takes a walk through Houston’s “Darth Vader” house. (Thanks, Rob!)
At ArtForum, Chloe Wyma writes about artist Leonora Carrington’s Tarot. “Carrington made The High Priestess, one of only two cards to have been dated, in 1955, around the same time she and her friend Remedios Varo were haunting the metaphysical clubs established by the disciples of Russian mystics […]
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The Cultural Gutter 