Open Culture has Jared Hess’ Peluca (2002) the short that Jared and Jerusha Hess turned into Napoleon Dynamite (2004). “You could say that Jared and Jerusha Hess got lucky. When first the husband-and-wife team got the chance to make a feature, it turned out to be Napoleon Dynamite, […]
Some people like their hardboiled noir fiction in cinematic form. Some people prefer text only please–to enjoy, perhaps the racier metaphors and descriptions in The Maltese Falcon, say, over the screen adaptations. I like both. But what if I told you that you could get noir illustrated in […]
At Ask For The Moon, Meredith Lewis remembers Hong Kong film icon, Yuen Hua. “’He’s gorgeous!’ said my Mum, boggling at Yueh Hua playing the titular role in The Lizard. ‘He’s warm, funny, and he’s really really good.’”
Matt Stoller writes about the consequences of the new Disney and why it should be broken up. “The new Disney is more a private equity group than studio, collecting brands and using them to bargain aggressively with partners, suppliers and consumers. Imperial Disney is the result not of […]
The Vulture has a great interview with super-actor Song Kang-ho (The Foul King; The Host; The Good, The Bad, The Weird; Memories of Murder; Snowpiercer; Parasite).
At Crime Reads, Eleni Theodoropoulos writes about Scooby Doo, Where are You? “Fifty years ago, on September 13, 1969, Scooby Doo, Where Are You! premiered on CBS. The premise of the show was always the same: whether it was a ghost, a phantom, a ghoul, or a poltergeist, […]
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