The Work of Todd Stadtman
A site featuring the work of author, musician, film historian, radio host and dearly missed friend of the Gutter Todd Sadtman is now online. You can visit here.
“Nightgowns and Nightmares: Amulet and the Women of Gothic Film”
At Jumpcut Online, Fiona Underhill writes about Gothic horror and recent films directed by women. “Madness and melodrama, obsession, suppression and repression – the questioning of sanity, gas-lighting, confusion over what is real or unreal, not knowing who to trust are also huge elements of Gothic fiction (and […]
An Ode to Herioc Bloodshed
At Strange Harbors, Jeffrey Zhang reviews Benny Chan’s Raging Fire (2021). “Chan, with his swan song, has crafted an ode to the ‘heroic bloodshed’ genre of Hong Kong action cinema. A maelstrom of melodramatic concepts: redemption, brotherhood, duty, honor–and of course–copious amounts of bloodletting, this sub-genre was a […]
“Why Mass Effect is Some of the Best Science Fiction Ever Made”
At the Guardian, Tauriq Moosa writes about the Mass Effect Trilogy. “This year, when everyone has been encouraged to isolate and death has been omnipresent, experiencing a grand narrative of community has been fulfilling. Mass Effect carefully balances the personal and the political in Shepard’s place in the […]
“The Final Girls finds Acceptance in Slashers”
At Certified Forgotten, friend of the Gutter Christine Makepeace writes about The Final Girls (2015). “Summer camp slashers are a staple of the horror genre. From Friday the 13th to Sleepaway Camp to The Burning, choosing this adult-free setting for your bloodbath is so ubiquitous that it’s become […]
From the Archives: Fleeing the House of Sinister Love
This week, the Gutter’s own Carol is attending of conclave hosted by mysterious figures in scarlet robes. She’ll be back next month! In the meantime, enjoy this essays she wrote on The Sinister House of Secret Love, aka, Secrets of Sinister House… ~~~ Running from 1971 to 1974, […]
The Cultural Gutter 