At Vulture, Matt Zoller Seitz writes about the 1984 premiere of Miami Vice. “Created by writer Anthony Yerkovich, helmed by filmmaker Thomas Carter, and guided by executive producer Michael Mann, Vice was ostensibly a police procedural: Crockett is a deep-cover operative based in Miami who partners with Ricardo […]
It’s festival season and I was fortunate enough to receive credentials for this year’s Fantastic Fest! Who knows why but I’m going to do my best to engage with the art and write some thoughtful reflections on what I see. Even though I am attending remotely, I’m going […]
The Gutter’s own Sachin Hingoo reviews Coralie Fargeat’s The Substance (France, 2024) at Biff Bam Pop! “I once joked to a friend that no one in Hollywood has the guts or gumption to do a 360 degree whip-pan around the room when a character answers a telephone like […]
Friend of the Gutter and Soldier of Cinema Robert Mitchell interviews Kenichi Ugana, director of The Gesuidouz about “about the movie, punk rock, the creative process as well as their mutual love of horror movies.” The Gesuidouz had its world premiere at this year’s Midnight Madness program at […]
Friend of the Gutter and Soldier of Cinema Robert Mitchell has some reflections on Coralie Fargeat’s body horror movie, The Substance, that premiered at this year’s Midnight Madness program at the Toronto International Film Festival. Red his thoughts here.
At Monstrous Industry, the Gutter’s own Carol Borden has some thoughts about Mary Dauterman’s Booger: “Grief has long been a good subject for horror. And it’s been a prominent vein in horror in the last decade or so. Some of the best films where grief is central are […]
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