“Death And The Robot”
Robot is the only one who really understand Death. Death is the only one who really understands Robot. (Thanks, Molly!)
That Time Ray Bradbury Adapted Moby-Dick as a Screenplay
Open Culture recounts the time Ray Bradbury wrote the screenplay for John Huston’s film, Moby-Dick (1956). “I got out of bed one morning in London, looked in the mirror, and said, ‘I am Herman Melville!’ I sat down at the typewriter, and in eight hours of passionate, red-hot […]
Never Goodnight is the Best
The Dissolve shares some panels from the source material for Lukas Moodysson’s Swedish punk rock coming of age story, We Are The Best—Coco Moodysson’s graphic novel, Never Goodnight, about her experience growing up punk in 1980s Stockholm. The Dissolve piece also links to an interview with Coco Moodysson at […]
Watching Aleksander Ptshuko’s Evenings On A Farm Near Dikanka
At Teleport City, the Gutter’s own Keith spends Evenings on a Farm near Dikanka. “The movie opens as all good Christmas movies should: with a scene of a jolly witch tearing across the night sky astride her broomstick, collecting stars for her eldritch brews, while the devil bats […]
“Dream-Casting The Live-Action Gargoyles Movie That Does Not Exist”
At The Toast, Daniel Lavery creates his dream cast for a rebooted Gargoyles series. “Look, I’m not here to explain the appeal of a decades-old children’s series about living architectural flourishes to you. Either you saw it, and you understand the unique blend of Shakespeare, European folklore, the […]
“I Love Superheroes But They Don’t Love Me”
At Feminist Sonar, Elsa writes about the representation of disability and superhero comics and movies. “Some days I wonder if I take things like this too personally, but honestly, in a world where Hawkeye was once Deaf but is now hearing, in a culture where Oracle has been […]
The Cultural Gutter 