“In contrast to Bill and Frank’s lived experience of navigating society as gay men, knowledge of queer history feels completely absent for queer youth in The Last of Us, but that doesn’t feel like an oversight. Instead, it’s a meaningful piece of worldbuilding reflecting how culture can die […]
At GQ, Jason Diamond writes about Noah Baumbach’s White Noise (2022) and “the unfilmable novel.” “The funny thing about film adaptations of unfilmable novels, though, is how they age: while they tend to meet critical resistance upon release, something interesting happens after that. Often, the movie versions of […]
Video game adaptations have a rocky history in film. For every good-to-ok one, like Mortal Kombat (1994), Sonic The Hedgehog (2020) or Werewolves Within (2021), there are scores of films that don’t do justice to their digital counterparts. The K:D ratio* just isn’t great for these movies, partly […]
I’ve been thinking about what “disreputable art” means in a time when nerds, fans, and geeks have won a kind of cultural hegemony. It was different when the Cultural Gutter was founded in 2003, before Iron Man (2008) launched the Marvel Cinematic Universe, the Force awakened, and the […]
The Gutter’s own Beth Watkins discusses Indian adaptations of Jane Austen’s work on Filmi Ladies! Watch here.
Marya E. Gates has some thoughts on Andrew Dominik’s Blonde (2022), Marilyn Monroe, and the photography of Weegee. “Weegee would take this idea of distorted reality even further with his doctored images of celebrities like Marilyn Monroe, warping them ever so slightly, enough so that they feel off […]
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The Cultural Gutter 