At DVD.com, friend of the Gutter Jay Patrick dives into the history of Italian giallo film. “I put Opera in the VCR and experienced my first proper giallo. I hadn’t yet incorporated the term giallo into my lexicon because it was, to my eyes, just a very stylish […]
At Americana, Katrina Powers writes about the paintings in Alfred Hitchcock’s Psycho (1960). “In the original 1960 trailer for Psycho, Alfred Hitchcock notifies us that the parlor of the Bates Motel was Norman Bates’ (Anthony Perkins) “favorite spot,” then suggests that we visit the parlor with him. Once […]
“Alfred Hitchcock’s original 1935 version of The 39 Steps is one of those films that’s so seminal that when watched today it can seem like little more than a parade of hoary old clichés; that is, until you consider that The 39 Steps is where many of those […]
The Hairpin‘s Anne Helen Petersen has written an excellent piece on Cary Grant’s career and life–scandals, Randolph Scott, sartorial brilliance and all: “Grant’s image was in many ways univocal — he played variations of the same character, he seemed to be a ladies’ man on and off the […]
Art of the Title presents “a brief visual history” of Saul Bass’ title design work. (via Bleeding Cool, which exhorts us not to forget Elaine)
A couple of looks at the art and history of film title sequences.