Anne Billson writes about disaster movies for Perspective. “You can’t say we weren’t warned. Our elected representatives might have been more aware of the speed at which a deadly virus can spread around the world if only they had paid more attention to films like Contagion, in which […]
At Multiglom, Anne Billson share excellent dressing-gown acting. “Dressing-gowns are more versatile than you might think. They can signify both soigné upper-class superiority and unkempt low-life sleaze – sometimes both at once. They can be effete, artistic or slatternly – sometimes all at once. In films, the writer or […]
At the Guardian, Anne Billson gives John Heard his due and writes about eyepatches in film. “One-eyed, one-legged, alcoholic Vietnam veteran Alex Cutter is the sort of avenging obsessive who, by rights, belongs up there in the pantheon alongside Travis Bickle, Sam Quint or Khan Noonien Singh. In […]
Anne Billson has posted a 1985 interview she did with director George Miller (the Mad Max films). Miller talks about many things including Aunty Entity’s probable past as a hero and Max as, in Mel Gibson’s words, “a closet human being.” (Thanks, Matt!)
At Multiglom, Anne Billson writes about Billy Wilder’s The Private Life of Sherlock Holmes and “The Bitter Tears of the Private Detective.” Last week I went to see Billy Wilder’s The Private Life of Sherlock Holmes again. And once again, as I dabbed my eyes with a hanky, […]
At Multiglom, film critic Anne Bilson apologizes to Keanu Reeves: “Keanu Reeves, I must apologise. For years, like other film critics, I cast aspersions on your acting talent, belittled your intellect, and cracked jokes about your name, which means ‘cool breeze over the mountains’ in Hawaiian. Only now […]
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The Cultural Gutter 