Travis Stevens’A Wounded Fawn (USA, 2022) is entirely my thing. It’s a nice mix of art house and genre, which is one of my favorite things. It blends fine art—in this case the art of Surrealists (and friends) Leonora Carrington, Remedios Varo and Kati Horna—1970s horror/giallo, Classical Greek […]
So many Kino Lorber documentaries to watch and you can watch them here. (Thanks, Stephanie, and via Open Culture).
The Gutter’s own Carol Borden has a lot to say about Travis Stevens movie blending horror, Surrealism and Greek tragedy, A Wounded Fawn (USA, 2022). “Travis Stevens’A Wounded Fawn is entirely my thing. It’s a nice mix of art house and genre, which is one of my favorite […]
Marya E. Gates has some thoughts on Andrew Dominik’s Blonde (2022), Marilyn Monroe, and the photography of Weegee. “Weegee would take this idea of distorted reality even further with his doctored images of celebrities like Marilyn Monroe, warping them ever so slightly, enough so that they feel off […]
The Gutter’s own Carol watches Peter Strickland’s new movie, Flux Gourmet (UK, 2022)! Sonic Catering! Sounds generated by food preparation! Art collectives! Gwendoline Christie in magnificent outfits! Digestive issues! Read more here.
At Storming The Ivory Tower, Sam Keeper has a thoughtful essay on AI-generated art. “Much of the art, though, comes from interpretive ambiguity that both the prompter-curator is faced with and must make decisions about in terms of culling and framing images, and which the end viewer is […]
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The Cultural Gutter 