The New York Times profiles Karen Berger, former editor of DC’s Vertigo comics imprint. “When the Vertigo imprint was introduced in 1993, it was a way for writers and illustrators to retain ownership of their work and be free of the restraints that governed superhero stories.”
Support Manos The Hands of Felt–The Master will be pleased.
“So Charlaine Harris’ last Southern Vampires book, Dead Ever After, is out May 7. Except it’s kind of out now, which is why the interwebs are exploding. Some random asshat got their claws on an early copy, which is sneaky enough, but then posted the ending online, which […]
The New York Times has a piece on the statistical quest for a sure thing box office hit. Meanwhile, The AV Club pans Netflix’s original series, very much grounded in algorithms, Hemlock Grove: “The genius of Netflix’s computer-programmed, demographic targeting approach to TV is that it doesn’t need […]
ZDNet’s Violet Blue offers ways you can join the Apr. 22 protest against The Cyber Intelligence Sharing and Protection Act. At The Atlantic, Rebecca Greenfield notes that CISPA has “few friends in the Senate” but has the support of “major tech companies”: “Unlike SOPA which was widely condemned […]
A documentary on the making of Akira Kurosawa’s The Bad Sleep Well.