‘The recent rise of Native-produced sci-fi films is more than an academic fascination. These diverse set of films have the power to not only help us to reimagine our assumptions about the futures of Indigenous peoples, but also to serve as a cultural mirror enabling us to reassess […]
Every April at the Gutter we mix things up with the editors writing something outside their usual domain. This week Screen Editor alex writes about video games. The last time I wrote about video games, I detailed my failures as a creator in the original Creatures artificial life […]
At Boing Boing, Gita Jackson writes about gaming, art, minority voices, colonialism and Benedict Anderson’s “imagined communities”: “When marginalized voices come to take their seat at the table, there will always be an outcry that they are invaders, colonists, inferior versions of their straight, white male counterparts. But […]
Every April, we like to switch things up at the Gutter, with the editors writing about something outside their domains. This week, Comics Editor Carol writes about subtitles, censorship and Hong Kong cinema. ~~~ I don’t remember the first kung fu movie I ever watched. I am terrible […]
Tin House has published an edition of Joseph Conrad’s Heart Of Darkness illustrated by Matt Kish, an interesting follow-up to Kish’s project, Moby-Dick In Pictures; One Drawing For Every Page. See more of Kish’s work here.
Some interesting thoughts on South Korean cinema with “A Dish Best Served Bloody: Revenge In South Korean Cinema” and this Cannes program piece on Arirang (1926) and the history of Korean film.
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The Cultural Gutter 