A few weeks ago, the Indian cinema-focused Twitter account Cinema Rare posted a list of “some of the trippiest Indian films,” and with wording like that, I knew I had to investigate the whole thing, regardless of how likely I was to agree.* Skimming the 25 titles, I […]
The Gutter’s own Carol Borden has some thoughts about Carlos Coneiçao’s Tommy Guns / Naçao Valente (Portugal, 2023) at Monstrous Industry! “I recently watched Jean-Denis’ A Woman Kills / La femme borreau (1968) and while A Woman Kills was made a half a century ago, during a time […]
“Today, we’re policed by ads. Targeted with products and services by what a surveilling algorithm “thinks we’ll like.” But people usually know when they are being sold to and when they are being solicited for money. It is not always so clear, however, when a company is seeking […]
Nocebo (Philippines / Ireland, 2022) is a blend of Gothic manor house horror, Southeast Asian witchcraft movies, and horror set in the world of fashion. Instead of focusing on connivances and cruelties within the world of haute couture fashion houses, like, say, Mario Bava’s Blood and Black Lace […]
Absolute Beginners first crossed my radar last week when a friend showed me a clip of David Bowie dancing on a typewriter. “Big deal,” scoffed I, a connoisseur of Indian cinema. “Merchant and Ivory did that with Hindi superstars ages ago.”* Discovering that David Bowie could tap dance […]
This month at The Cultural Gutter is Switcheroo Month. Traditionally the editors write something outside of their usual domains. This time, though, we are faced with a domainless Gutter. And so this Switcheroo Month, we write about reputable art. ~~~ “I shall ere long paint to you as […]
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