At Vulture, Angelica Jade Bastién writes about the Amazon series, Them (2021). “In 2018, the artist Lorraine O’Grady said at a Brooklyn Museum book event, “In the future, white supremacy will no longer need white people.” That future is now. O’Grady’s belief nods to the ways the structures […]
At Certified Forgotten, Molly Henery writes about The Witch (2015). “Just a few short weeks ago, we got all lovey-dovey discussing Spring as a Uterus Horror film. Now it’s time to give you delightful readers a bit of whiplash, because we’re diving into a film that has absolutely […]
At The Final Girls, Emily Black writes about grief, mental illness and Jennifer Kent’s The Babadook (2014). “The film begs the question, what happens when women care for those around them, neglecting their own mental health in the process?” (Thanks, Christine)
Friend of the Gutter Sara Century looks at the Amityville franchise at Manor Vellum. “The Amityville Horror may not be especially unique at its root when viewed through the eyes of modern audiences. After all, today’s genre fans have seen similar stories in countless films, including, but not […]
As with so many other events, the 2021 Hong Kong International Film and Television Market (Filmart) moved online and so I was able to attend this year. Along with Noir City International / the 18th Annual San Francisco Film Noir Festival, the New York Asian Film Festival and […]
At RogerEbert.com, Roxanne Hadadi writes on the films of Jeremy Saulnier. “[W]hat Saulnier has built into his Blue Ruin, Green Room, and Hold the Dark trilogy is not only a flair for the gory and grisly, but a consistent acknowledgment of the role this country’s regimented class system […]