City on Fire and Days of Atonement author Walter Jon Williams has a eulogy up at his blog for Fred Saberhagen, who died a little over a week ago. Williams writes about Saberhagen’s unacknowledged influence on fantasy, science fiction and horror. And he tells a couple of nice […]
Flatter your reader. That sounds like a pretty solid narrative strategy! Make your audience think they are really smart, and they’ll probably come back for more. Books can do this automatically, just by the virtue of taking us into the thoughts of other people – not so easy […]
John Brunner’s The Shockwave Rider has a fantastic ending: an unstoppable computer virus reveals all secret information. If you’ve bribed the food inspectors to ignore mad cow disease in your factory farm, now the whole world knows about it. Gone to war under false pretences? Selling designer clothes […]
Neal Stephenson’s Snow Crash is a book that requires some warning for unsuspecting readers: it’s so wacked out and demented that it’s beyond over-the-top and way beyond anything you can take seriously. The book works because you eventually realize that Stephenson’s approach suits the future that he is […]
If he feels vindicated, he doesn’t show it. As Marc Laidlaw waits for his co-workers to finish a talk, we sit down at a table in San Francisco’s cavernous Moscone Center and talk about Half-Life 2 (Valve, 2004). Its 1998 predecessor is legendary for pushing the form both […]
I’ve noticed recently that otherwise good stories have been let down by their endings. It’s partly due to the expectations of the audience: you can imagine any kind of ending you want, but when the ending finally arrives, it’s been narrowed down to a single one of those […]
Find t-shirts, mugs, totes and more at our new Guttermart location at Teepublic!
The Cultural Gutter 