At Arré, friend of the Gutter Aditi Sen writes about the making of Coolie, the near death of Amitabh Bachchan and a different India. “Coolie is a film that tells us that chaos will eventually be restored, that truth and justice will prevail over falsehood and avarice. It […]
Meredith Lewis has shared an extract from her new book, Ask For The Moon: Innovation At Shaw Brothers Studios: “Chopsocky flicks have a dire reputation among most of us Westerners. The average man on the street thinks of badly made films, peopled by corny actors in silly wigs, […]
The Guardian profiles filmmaker Agnès Varda. Nowadays, Varda is spending less time researching new ways of making cinema. Not because she hasn’t got the energy but because she believes she can do more groundbreaking work with art installations. In the end, she says, all art is about communication. […]
The Japan Times interviews Shinya Tsukamoto about his new film, Killing. “’As I took in the current state of the world, I had an urge to let out (the film) like a scream. The act of killing in the Edo Period (1603-1868) was quite normal. I found many […]
At the Royal Ocean Film Society, Andrew Saladino looks at the beach party film! (via Pornokitsch)
At Loser City, friend of the Gutter writes about the art of the hustle in Susan Seidelman’s Smithereens. “Do you have a picture in your head of New York? Does it come from real life? Or the memory of art? I know the New York I see when […]