Allen Baron talks about making his film, Blast of Silence, and the differences between making an independent film between then and now. “In the fall of 1959 I returned to NYC and decided to make my own movie. Making an independent feature film then was expensive, extraordinarily technical, […]
At The AV Club, Scott Kaufman discusses editing and its unsettling effects in Donnie Darko.
Ann Hornaday discusses “The Aesthetic Politics of Filming Black Skin”: “For the first hundred years of cinema, when images were captured on celluloid and processed photochemically, disregard for black skin and its subtle shadings was inscribed in the technology itself, from how film-stock emulsions and light meters were […]
At Daily Grindhouse, Ric Meyers writes about, “A History of Disrespect: The Weinstein Company’s War on Asian Cinema.” Meanwhile, at Flavorwire, Jason Bailey asks and answers. “Why Do Asian Films Have To Be Dumbed Down For An American Audience?”
Althea Crome makes amazing and tiny, tiny knit art. Check out her website for galleries of her work and to watch her knit clothing for the puppets in the animated film, Coraline. Indiana Public media profiles Crome here. and see her brain cozy and all the other brains […]
The Hairpin looks at “The Most Wicked Face of Theda Bara”: “She was the first in a long line of what came to be known as femme fatales — dangerous, devouring women who pop up in various genres at cultural moments when anxiety over the woman’s place in […]