Gutter friends Todd Stadtman and Keith Allison are quoted in Shaikh Ayaz’ Open Magazine article about Indian filmmaker, Joginder, “The Poet of Poop.” “You need a special sort of brain to invent the lota dance, or potty rap, as it is known in somewhat better civilised parts of […]
Filmmaker and writer Aaron Soto discusses the history of Mexploitation cinema with Miguel Rodriguez on Monster Island Resort Podcast!
Ghost Wars: The Secret Wars of the CIA author Steve Coll writes of Zero Dark Thirty: “Zero Dark Thirty was constructed to bring viewers to the edges of their seats, and judging by its critical reception, for many viewers it has succeeded in that respect. Its faults as […]
At Geek Juice, Josh Hadley’s “Industrialized Plagiarism” responds to a Village Voice piece, “How To Defend Quentin Tarantino.” Read them together for QT, Hollywood SOP, Harlan Ellison, homages, plagiarism and more.
Jim Emerson ponders what he finds good and bad in Django Unchained and a lot of the good is Christoph Waltz: “Quentin Tarantino has found his actor in Christoph Waltz — someone who can speak Tarantinian fluently and still make it his own.” (via Roger Ebert)
At Vanity Fair, Ned Zeman explores the history of The Blues Brothers. “It is October 1979, and The Numbers are not to [Lew] Wasserman’s satisfaction. The culprit is Universal’s big-ticket production The Blues Brothers, a movie that pretty much defies logic and description. Some call it a musical; […]