On Bullseye, Jesse Thorn interviews the legendary artist, Judy Chicago. “Judy Chicago knew she wanted to be an artist since she was young. We’re talking 4, 5 years old. And unlike many kids who dream big like that, Judy Chicago is an artist. One of the greats! Her […]
Autostraddle has not only a top ten list of Hollywood Lesbians and Bisexuals, but a flow chart of relationships and you can see it here.
At Monstrous Industry, the Gutter’s own Carol Borden shares her first thoughts on Avalon Fast’s new film, Camp (Canada, 2025)! “Fast captures the feeling of certain spaces created by girls and women. And in Camp, they capture the feeling of spaces created by groups of “gorgeous weirdos” finding […]
The Gutter’s own Carol Borden joins friends of the Gutter Mike White and Emily Intravia to discuss Kevin Costner’s post-apocalyptic celebration of the postal service, The Postman. “Sci-fi month concludes with one of the great cinematic boondoggles of the ’90s. Kevin Costner directs and stars in The Postman […]
At Filmi Ladies Podcast, friend of the Gutter Pitu Sultan and the Gutter’s own Beth Watkins have “So much to say about Maa Behen! Madhuri, Triptii, and Dharna portray wily, crafty, endearing, complicated, entrapped, strong, powerful, confusing ladies in this character study of what it means to be […]
Sometimes you encounter a movie late at night. A movie you didn’t even know existed before. And you discover that the movie had basically disappeared for 30 years. Cindy Sherman’s Office Killer was supposed to be the first in a series of low budget art house horror movies. It premiered at the Toronto International Film Festival’s Midnight Madness program in 1997. It was picked up by Miramax, released in a limited run of art house theaters and then it just disappeared.
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The Cultural Gutter 