At Vulture, Angelica Jade Bastién writes about the Amazon series, Them (2021). “In 2018, the artist Lorraine O’Grady said at a Brooklyn Museum book event, “In the future, white supremacy will no longer need white people.” That future is now. O’Grady’s belief nods to the ways the structures […]
This month at The Cultural Gutter is Switcheroo Month. Traditionally the editors write something outside of their usual domains. This time, though, we are faced with a domainless Gutter. And so this Switcheroo Month, we write about reputable art. ~~~ “I shall ere long paint to you as […]
At Certified Forgotten, Molly Henery writes about The Witch (2015). “Just a few short weeks ago, we got all lovey-dovey discussing Spring as a Uterus Horror film. Now it’s time to give you delightful readers a bit of whiplash, because we’re diving into a film that has absolutely […]
At The Final Girls, Emily Black writes about grief, mental illness and Jennifer Kent’s The Babadook (2014). “The film begs the question, what happens when women care for those around them, neglecting their own mental health in the process?” (Thanks, Christine)
Nisi Shawl and Gerry Caravan discuss the work of Octavia Butler at the Library of America blog. “[M]uch of science fiction’s increasing inclusivity is due to Octavia’s presence. By modeling the creation of imaginary worlds in which she and those like her—and those unlike her yet also unlike […]
As with so many other events, the 2021 Hong Kong International Film and Television Market (Filmart) moved online and so I was able to attend this year. Along with Noir City International / the 18th Annual San Francisco Film Noir Festival, the New York Asian Film Festival and […]
Find t-shirts, mugs, totes and more at our new Guttermart location at Teepublic!
Look as fancy as you can in Disreputable, the signature nailpolish designed for us by My Pretty Zombie Cosmetics.
