Friend of the Gutter Ashlee Blackwell has a lovely and powerful meditation on Candyman (1992) and hopes for Nia DaCosta and Jordan Peele’s upcoming Candyman (2021) at Graveyard Shift Sisters. “Candyman has been a delicate enigma, a tale, a very tepid preoccupation of mine since I was ten. […]
Bound (1996) starts with an excellent practical effect title shot, then the camera moves to a woman, tied up in another woman’s closet, as we hear voices talking about money, theft, time and a plan. You can tell it’s not her closet because she is very butch and […]
At Okayplayer, Clarkisha Kent interviews Rachel True. “Amid the anniversary of The Craft, True spoke with Okayplayer about how the film attempted to tackle issues that are still prevalent today (however clunky), how her spiritual journey led her to pen and publish a hybrid memoir and tarot set, and her […]
At Vulture, Angelica Jade Bastién writes about the Amazon series, Them (2021). “In 2018, the artist Lorraine O’Grady said at a Brooklyn Museum book event, “In the future, white supremacy will no longer need white people.” That future is now. O’Grady’s belief nods to the ways the structures […]
This month at The Cultural Gutter is Switcheroo Month. Traditionally the editors write something outside of their usual domains. This time, though, we are faced with a domainless Gutter. And so this Switcheroo Month, we write about reputable art. ~~~ “I shall ere long paint to you as […]
At Certified Forgotten, Molly Henery writes about The Witch (2015). “Just a few short weeks ago, we got all lovey-dovey discussing Spring as a Uterus Horror film. Now it’s time to give you delightful readers a bit of whiplash, because we’re diving into a film that has absolutely […]