At The Establishment, Katherine Cross writes about robots, gender and Tay the chatbot. “We are being primed by many tech giants to see AI not as a future lifeform, but as an endlessly compliant and pliable, often female, form of free labor, available for sex and for guilt-free […]
At Okay Africa, Alyssa Klein interviews Laolu Senbanjo about working on Beyoncé’s “Lemonade.” “It was so emotional. It was powerful, mind-blowing. Being someone of her power, status, speaking up for women, speaking up for Black Lives Matter, empowerment. To be part of that… she has an amazing vision. […]
At The Guardian, Steven W. Thrasher writes, “Prince broke all the rules about what Black American men should be.” “Prince repelled and fascinated me because he represented every side of all the contradictions I felt. I felt nervous even looking at him, and yet I couldn’t look away. […]
The Gutter’s own Carol joins Mike White and Kevin Heffernan to discuss the 1975 satire Smile on The Projection Booth. “We talked to a few of the stars of the film: Bruce Dern, Nicholas Pryor, Barbara Feldon, Denise Nickerson, and Annette O’Toole.”
At The Atlantic, Ta-Nehisi Coates writes about his current run on Black Panther, the prominence of female characters, feminism and the role of criticism. “The feminist critique is in the air now. If my rendition of Black Panther wasn’t created by that critique, it breathed the same air. […]
At Black Girl Nerds, Monique Jones writes about Sleepy Hollow and the many problems with the season 3 finale. There are spoilers. “The chemistry between the two leads, Tom Mison and Beharie, was the only thing that kept mostly everyone tuned in. (I say most, because somehow, there […]
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The Cultural Gutter 