Gaddaar is maybe the best Hindi film of 1973, if not the first half of the 1970s, that you probably haven’t seen. Maybe I’m wrong and you already love it as much as I do, but whenever I bring up this movie, I’m mostly met with blank stares […]
The fact that I have to start a discussion of Shalimar (1978) by specifying that this is the English-language version of the film, which is only 60% as long as the Hindi and therefore almost automatically makes less sense than the fuller work, tells you that we are […]
I’m not even sorry about that title. Boom (2003, directed and written by Kaizad Gustad) really is about a group of models behaving badly. But it’s also an artifact of one of the classic paths to stardom in Bollywood: the model-turned-actor. The models in the film have to […]
Wolf Gnards explores the many ways a tyrannosaurus can get into a theme park guest center–or any building, really. We vote for “Those tiny arms have evolved over millennia to pick locks.”
There are no bulletproof monks in Nak Prok/Shadow of the Naga. In fact there are some remarkably violent novices who’ve hidden stolen money in a monastery and have to get it out again. Wise Kwai has the trailer and a discussion of Nak Prok and the new Thai […]
“What the Wonder Twins Would Take the Form and Shape of if They were Sent to Correct the Subprime Mortgage Crisis” is a McSweeney’s article that is most likely not providing cover for a heist.