Sara Century, Student of Poe
At Manor Vellum, Sara Century looks at Edgar Allan Poe’s work adapted on film. This week she’s all about giallo Poe. Read more here.
“Re-Routing The Horrific & The Black Subject In Film With Dianca London Potts”
At Graveyard Shift Sisters, friend of the Gutter Ashlee Blackwell considers the horrific, Black horror, the white gaze and the Black subject among other things in her profile of Dianca London Potts. “Dianca’s exemplary analysis makes her an exciting, sobering voice in pop culture criticism. This Bucks County, Pennsylvania dropout […]
“The Scene That Shook Me: The Black Cat (1934)”
At BiffBamPop the Gutter’s own Carol writes about a scene that shook her in Edgar Ulmer’s Universal horror film, The Black Cat (1934). “[The Black Cat] is a film I never expected to leave me harrowed and shook, but it has. There is incest, rape, torture, a Black […]
“Monsters, Mayhem and Marvel Horror in Rise of the Midnight Sons“
Friend of the Gutter Sara Century has some things to say about Ghost Rider, horror and Marvel’s Rise of the Midnight Sons at Comic Book Herald! “With an influx of scary villains, extreme action sequences, and earnest looks into a reluctant hero’s tortured inner world, the early days […]
Angelica Jade Bastíen on Candyman (2021)
At Vulture, Angelica Jade Bastíen writes about Nia DaCosta’s Candyman (2021). Even if you disagree with her analysis, it’s worth reading and pondering. “Candyman is the most disappointing film of the year so far, limning not only the artistic failures of the individuals who ushered it to life, […]
Michelle Kisner on Candyman (2021)
Friend of the Gutter Michelle Kisner writes about Nia DaCosta’s Candyman (2021)! “This new take on Candyman is a direct response to the first film, a mirror reflection running parallel with the themes of the original work. Where the 1992 film is from the viewpoint of a white […]
The Cultural Gutter 