At Biff Bam Pop, the Gutter’s own Sachin Hingoo writes about Lowell Dean’s Dark Match! “I love a good, heady drama or a weighty horror that trades in the nuances of grief, or just fucks you up with a historical-based gutpunch of a story that you never want […]
At Bright Wall Dark Room, Ari Lisner interviews filmmaker Jane Schoenbrun. “So much of [I Saw The TV Glow] is reflecting back on all of the ways in which I clung to media, fiction, music, and television as coping mechanisms for that lack of a real life or […]
At RogerEbert.Com, Matt Zoller Seitz has a fantastic piece on Rod Serling and how he used genre to write about political, social and moral concerns. “‘The writer’s role is to be a menacer of the public’s conscience. He must have a position, a point of view. He must […]
Tamiya Iemon is the absolute worst. I have seen multiple adaptations of Tokaido Yotsuya Kaidan, from Keisuke Kinoshita’s Shinshaku Yotsuya Kaidan / Yotsuya Kaidan Part 1 & Part II (1949) to Nobuo Nakagawa’s 1959 adaptation, Tokaido Yotsuya Kaidan / The Ghost Story of Yotsuya (1959) to Takashi Miike’s […]
Hey, it’s some things Carol Borden did in 2024! See them here.
This week Guest Star Kate Laity writes about Fritz Leiber’s Conjure Wife (1943) and two lesser known adaptations. ~~~ I’m currently writing about Fritz Leiber’s Conjure Wife and the 1962 film based on it, Night of the Eagle, AKA, Burn, Witch, Burn! (1962). It’s a pity there are […]
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The Cultural Gutter 