every so often I come across something where the twist is so effective that watching it really is a totally different experience when you don’t know where the story goes and I’m glad it was a surprise. I felt that way about the first season of The Good Place, and it’s the same with Shin’ichirô Ueda’s zombie horror-comedy film, One Cut of the Dead. So I’m going to attempt to pull off the neat magic trick of telling you about it without, you know, telling you about it.
At the Projection Booth, friend of the Gutter Mike White interviews Brooke H. Cellars, writer/director/costume designer of the campy comedy, The Cramps: A Period Piece (USA, 2025)! “Filmmaker Brook H. Cellars sits down with Mike to discuss her audacious feature debut The Cramps: A Period Piece (2025). This […]
At Fantastic Fest this year, I was not only fortunate enough to receive accreditation so I could see movies and report back, but I was also lucky enough to see four very different films that I might not see otherwise. I am back now, my fedora with the […]
The Gutters own Carol Borden finishes up Fantastic Fest 2025 with Taratoa Stappard’s Mārama. In 1859, an orphaned Māori woman, Mary Stevens (Ariāna Osborne) has traveled from New Zealand to Yorkshire, England to meet a man. She has received a letter from a Mr. Anthony Boyd, who claims […]
The Gutter’s own Carol Borden really enjoyed the campy, lo-fi body horror of The Cramps: A Period Piece at Fantastic Fest. Here are some quick thoughts. (There are more thoughts on it at Monstrous Industry): Brooke H. Cellars’ The Cramps: A Period Piece (USA, 2025) is a period […]
The Gutter’s own Carol Borden has some thoughts on Kenichi Ugana’s The Curse (Taiwan / Japan, 2025), now screening at Fantastic Fest 2025! Kenichi Ugana’s The Curse has the punk sensibility—down to its scratchy opening title card that looks like a punk zine cover—the gleeful gore, the dark […]
The Cultural Gutter 