Ann Hornaday discusses “The Aesthetic Politics of Filming Black Skin”: “For the first hundred years of cinema, when images were captured on celluloid and processed photochemically, disregard for black skin and its subtle shadings was inscribed in the technology itself, from how film-stock emulsions and light meters were […]
At The AV Club, Todd VanDerWerff writes about the influence of Homestar Runner: “The stuff on Homestarrunner.com was really funny, and even if the site hasn’t been updated in years, its surprisingly elaborate mythology and characters still pop up in online discussions from time to time. It also […]
“I think I can speak for all of us: We’d rather be doing slapstick comedy. But because we were so concerned, at the time, with getting our work into theaters, we thought: ‘Eh, horror films. That’s a good way in.’” More history of Evil Dead II at The […]
Odd Things I’ve Seen has a list of the final resting places of actors and actresses who have played classic horror characters. “This isn’t comprehensive, of course, and were I to try to make it so, I’d disappear into a hole in the Internet and not come up […]
Franz Liszt’s “Hungarian Rhapsody no. 2 in C Sharp Minor” in cartoons from black and white Mickey Mouse cartoons to Animaniacs. (Thanks, Mike!)
At Teleport City, The Gutter’s own Keith writes a four-part series about the adaptation of Donald Hamilton’s Matt Helm from his novels to film. “’I was taking a martini across the room…’ If that line, the first sentence in the first Matt Helm novel by Donald Hamilton, had […]
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The Cultural Gutter 