Guest Star and film scholar Earl Jackson continues his look at Kimi wa Koibito / You Are My Lover, a dizzyingly metafictional and genre-bending Nikkatsu film featuring an injured Japanese teen hearthrob’s return to the screen in a movie that references his injury and the incident that caused […]
This week Guest Star and film scholar Earl Jackson writes about an injured Japanese teen hearthrob’s return to the screen in a movie that references his injury and the incident that caused it. ~~~ Rushing headlong into the kaleidoscopic tumult of world film history, kibbitzing at a bazaar […]
every so often I come across something where the twist is so effective that watching it really is a totally different experience when you don’t know where the story goes and I’m glad it was a surprise. I felt that way about the first season of The Good Place, and it’s the same with Shin’ichirô Ueda’s zombie horror-comedy film, One Cut of the Dead. So I’m going to attempt to pull off the neat magic trick of telling you about it without, you know, telling you about it.
When trying to decide what to write about this month, I realized director/producer Ram Gopal Varma has yet to appear on the Cultural Gutter—and that simply will not do. Some people reading this essay will assume I might write about one of his thrillers, since horror is a […]
Confession time: I’ve never been a big consumer of the live meta-commentary subset of horror, or live commentary on movies in general*. I very rarely turn on the director’s commentary on DVDs, and I can count on one hand the number of Mystery Science Theatre or Joe Bob […]
As a general rule, you can tell me what happens at the end. In fact, if I’m finding a book or tv show stressful, I often flip ahead or look at recaps to find out what happens so I can just relax and enjoy it. That said, every […]