“I used a descending chromatic scale throughout the score,” explains Marc Wilkinson, who was director of music at the National Theatre when Haggard approached him to write the score for Blood On Satan’s Claw. “To make it scary, I omitted the perfect fifth, which is the one true […]
Some thoughts on the new musical version of Carrie.
Beth Watkins brings Hindi film disco to the Wall Street Journal’s blog (with plenty of links). “Disco might just be the pop music soul mate of Hindi films, though it’s not like Bollywood ever needs an excuse to bust out the skin-tight shiny costumes, the opulent sets or […]
A little collection of Muppetry for Jim Henson’s birthday. The Skeksis speak their own language in The Dark Crystal. Kermit sings, “Once in a Lifetime.” Mating rituals on Koozbane. Vincent Price sings with Uncle Deadly. Alice Cooper sings “Welcome to My Nightmare.” Martians discover the earth. Gonzo’s going […]
The Muppets prove that silly songs, whoopie-cushions and tribute letters from fans are enough to remember Jim Henson on his birthday.
In his video essay (also available in text form), Matthias Stork details the elements of what he calls, “Chaos Cinema” and their effects on film and viewer experience: “The film doesn’t seduce you into suspending your disbelief. It bludgeons you until you give up.”