Dobaaraa, a Hindi-language film released earlier this year, stands in intriguing contrast to mainstream Indian cinema’s habits, not just in how this compelling remake handles it source material but also just more generally as a contemporary project. It is one of only a handful of Indian adaptations of […]
At Monstrous Industry, the Gutter’s own Carol Borden writes a bit about Karen Shakhnazarov’s absurd satire/mystery, Zerograd / Zero City (1998). “Zerograd is a film that requires a lot of pondering–especially in its presentation of the implications of distorting history, personal and otherwise. And it requires some thought […]
I attended the 2022 Fantasia International Film Festival remotely, but with a press card in my cap and a matcha latte in my hand. I was disappointed I did not get a chance to see the movie I was most looking forward to, Wai Ka-Fai’s new film starring […]
The Gutter’s own Carol is reporting back from the 2022 Fantasia International Film Festival with a review of Patrice Leconte’s Maigret (France / Belgium, 2022) Patrice Leconte’s Maigret was adapted from Georges Simenon’s Maigret & The Dead Girl / Maigret et la jeune morte (1954), one of the […]
“If you’re the perfect detective, then the perfect criminal must be out there.” ~ Mrs. Midorikawa The world would be a better place if there were more artful crimes, renowned detective Akechi Kogoro tells us in the opening of The Black Lizard (1962). There are too many heinous […]
Friend of the Gutter Kate Laity considers Patricia Highsmith’s Tom Ripley and his career on film at Punk Noir magazine. “Tom Ripley was by all accounts her favourite character, one she identified with to the extent that she signed a letter to a friend ‘Pat H, alias Ripley’ […]
Find t-shirts, mugs, totes and more at our new Guttermart location at Teepublic!
The Cultural Gutter 