Daniel Chong talks about We Bare Bears with Datebook. “While We Bare Bears is beloved globally, particularly in Asia, for its funny, wholesome cuddliness, Daniel Chong — the Berkeley creator of the show who set it in the Bay Area after the formative period he spent while working […]
Graveyard Shift Sisters suggests 28 Black women filmmakers and the horror films they made–with links!
At the LA Review of Books, Sarah Weinman writes about one of the finest–and most unfortunately overlooked–noir writers, Dorothy B. Hughes. “In a Lonely Place, which had then been re-released by The Feminist Press, blasted my mind open to new ways of reading. I wasn’t only enjoying the […]
Every April is Switcheroo Month here at the Gutter as each Editor writes about something outside their usual domain. This week SF/Fantasy Editor Keith writes about Langston Hughes’ life of adventure. ~~~ It was in the middle of a vicious squall on the way back from a port […]
Neely Tucker writes about Negro Romance, a 1950s American romance comic focused on Black characters, for the Library of Congress blog. “It was startling and rare for its positive depiction of African Americans in the era, particularly in its portrayals of young black women as romantic heroines. But […]
At the New Yorker, Christine Smallwood looks at Dorothy B. Hughes’ “forgotten Noir,” The Expendable Man (1963). “The creation of difference itself was her subject. Her books were widely praised for their atmospheres of fear and suspense, and criticized when they reached, as the New York Times said […]
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