At Snow Pavilion, Xueting Ni writes about how Chinese Xian became fairies in European thought. “The modern idea of the fairy, buzzing round the bottom of your garden on butterfly wings, dressed in couture petals, you know, that Victorian and Edwardian creation, aligned historically with this increased interest […]
The Gutter’s own Carol Borden has some reflections on the new documentary Shadowland: “It’s clear that Shadowland writer/director Otso Tiainen and co-writer Kalle Kinnunen want so much to embrace the landscape of the Montségur and the surrounding French Pyrenees and the esoteric and occult religious community that understand […]
My friends in film, Fantastic Fest 2024 is over. The awards have been handed out. The writers at more reputable outlets are sharing their thoughts. And here at the Gutter, even though I attened remotely, my brain is tired from watching movies, thinking about movies and writing about […]
The Gutter’s own Carol Borden has some thoughts on the new British folk horror film, The Severed Sun (2024): Writer/director Dean Puckett’s The Severed Sun‘s opening credits have the perfect blood red font on a black background. The story itself begins with an almost Vermeer tableau shot in […]
[somewhat spoiler-y] My current slot to publish at the Gutter falls just a day before the Hindu/Jain/Buddhist festival for snake deities, Naga Panchami, so I take this auspicious coincidence as a sign to bring forward another Indian snake film. If my research is accurate, the first Indian snake […]
Halfway through my rewatch of Jadu Tona (Black Magic, 1977), I said to my cat, who was also most definitely watching it with me since it has a kitty on some of its promotional material and was not just curled up on the sofa for no other reason, […]
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